{"id":10940,"date":"2025-05-04T14:36:52","date_gmt":"2025-05-04T18:36:52","guid":{"rendered":"https:\/\/nelsonhernandez.cl\/?post_type=exposiciones&#038;p=10940"},"modified":"2025-05-04T14:46:27","modified_gmt":"2025-05-04T18:46:27","slug":"rejection-when-no-said-yes","status":"publish","type":"exposiciones","link":"https:\/\/nelsonhernandez.cl\/en\/exposiciones\/rejection-when-no-said-yes\/","title":{"rendered":"Rejection: When No Said Yes"},"content":{"rendered":"<p>The exhibition <strong>Rejection: When No Said Yes<\/strong> begins with a simple question: What makes &#8220;no&#8221; so intimidating? In some works, the response is straightforward: &#8220;It isn&#8217;t intimidating; it is simply a &#8216;no.&#8221; In others, the answer shifts: &#8220;I&#8217;m intimidating the &#8216;no.&#8221; Sometimes, there is no reply at all. The exhibition explores the duality of rejection and acceptance, while examining the liminal space between them.<br \/>\nAs Rumi said, &#8220;Somewhere beyond right and wrong, there is a garden; \/ will meet you there.&#8221; In this space, we might argue that embracing the limiting or intimidating nature of rejection can, in fact, be liberating. But what shapes this perspective? As Descartes reminds us, &#8220;I doubt, therefore I think, therefore I am.&#8221; This is a journey of doubt and being, where ideas are only truly understood in the context of their opposites.<\/p>\n<p>Here, we explore how each artist&#8217;s doubts manifest-how they&#8217;ve rejected conventional thoughts, defied self-imposed fears, or questioned dominant Western narratives. Ultimately, we ask: Can more rejection lead to greater freedom? The works in this exhibition invite us to confront the shadow of rejection, not with fear, but with acceptance.<\/p>\n<p style=\"text-align: left;\">Yet, while we may present this interpretation, the true question remains: What do you think? What do you feel?<\/p>\n<p style=\"text-align: right;\"><strong>Noor Albar<\/strong><br \/>\n<strong>Sejal Dalvi<\/strong><br \/>\n<strong>Marjolaine Delsupexhe Cesarini<br \/>\n<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong>Artists<\/strong><\/p>\n<p>Mengyuan Tong<br \/>\nBissy Riva<br \/>\nViola Bozzo<br \/>\nTabitha Wilson<br \/>\nNelson Hern\u00e1ndez<br \/>\nZina Karaman<br \/>\nYilina Yang<br \/>\nHyunah Koh<br \/>\nTalullah Hutson<br \/>\nLala Drona<br \/>\nPo-Yun Kuo<br \/>\nJunghun Lee<br \/>\nFelipe Pineda<br \/>\nMaliha Abidi<br \/>\nTom Evans<\/p>\n","protected":false},"featured_media":10925,"template":"","class_list":{"0":"post-10940","1":"exposiciones","2":"type-exposiciones","3":"status-publish","4":"has-post-thumbnail","6":"entry"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rejection: When No Said Yes &#8226; Hangar Gallery, Royal College of Art. 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Contemporary painting on mythology, colonial archives and visual culture.","sameAs":["https:\/\/nelsonhernandez.cl","https:\/\/www.instagram.com\/nelsonhernandez.cl\/"]}]}},"_links":{"self":[{"href":"https:\/\/nelsonhernandez.cl\/en\/wp-json\/wp\/v2\/exposiciones\/10940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nelsonhernandez.cl\/en\/wp-json\/wp\/v2\/exposiciones"}],"about":[{"href":"https:\/\/nelsonhernandez.cl\/en\/wp-json\/wp\/v2\/types\/exposiciones"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nelsonhernandez.cl\/en\/wp-json\/wp\/v2\/media\/10925"}],"wp:attachment":[{"href":"https:\/\/nelsonhernandez.cl\/en\/wp-json\/wp\/v2\/media?parent=10940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}